A Martin Hewitt, investigator, on his seventh adventure.
After a woman reports seing a murder victim, the body suddenly disappears. Arthur Morrison’s fictional characters, Martin Hewitt and Inspector Nettings, work to solve the mystery with just a few pieces of evidence to consider — a dead tortoise, a voodoo doll, a bloodstained axe, and a note from ‘an avenger.’
Very often Hewitt was tempted, by the fascination of some particularly odd case, to neglect his other affairs to follow up a matter that from a business point of view was of little or no value to him. As a rule, he had a sufficient regard for his own interests to resist such temptations, but in one curious case, at least, I believe he allowed it largely to influence him. It was certainly an extremely odd case—one of those affairs that, coming to light at intervals, but more often remaining unheard of by the general public, convince one that, after all, there is very little extravagance about Mr. R.L. Stevenson’s bizarre imaginings of doings in London in his “New Arabian Nights.” “There is nothing in this world that is at all possible,” I have often heard Martin Hewitt say, “that has not happened or is not happening in London.” Certainly he had opportunities of knowing.
Arthur George Morrison born 1 November 1863 and died 4 December 1945. He was an English writer and journalist known for realistic novels, for stories about working-class life in the East End of London, and for detective stories featuring a specific detective, Martin Hewitt. He also collected Japanese art and published several works on the subject. Much of his collection entered the British Museum, through purchase and bequest. Morrison’s best known work of fiction is his novel A Child of the Jago (1896).
I Public Domain
First published 1894
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